I've reproduced this transfer on other back grounds but this is my favorite, yet. The fabric absorbs the wax medium in a way that adds depth and richness and makes the colors really pop. Set into one of those groovy black float frames - this one found it's way into a new home last week. Farewell, little bird.
I'm getting ready for an event at 1890 Bryant Street on September 2nd - ArtSpan is organizing flash mob Friday's and Trish and Mr. Rogers and I will be hosting in Studio 311. Hopefully I'll have enough work completed so that when Open Studios comes around the following month, I'll be ready to go. I'm pretty excited about the new work and I am hoping flash mob Friday is a success. 
Here's another piece from the San Francisco Show at City Art Gallery. This was taken outside my house in the Mission where the pigeons hang out when the peregrine falcon are not chasing them down for dinner. Every now and then one of the falcons will land in our back yard and it is really something to see them up so very close, just the window between us. All the finches and doves scatter and we hear a big thump - the weight of the falcon landing.
I ordered some float frames to see if I couldn't bump up my presentation a little. They are having their debut at City Art Gallery for the San Francisco show. I had an idea the frame would look good, but I under estimated just how much it would make the carbon pop. I'm definitely pleased with the effect.
With my new batch of fabric lined boards, I set out to find images that might make good transfers. I wasn't sure how this one would translate. After taking the photo, I converted it to black and white, took all the clouds away, but decided not to repair any of the missing parts where the sun was shining on the objects, making them disappear during the contrast process. Even after seeing it printed I still wasn't sure about it, and only created a few copies, since I was so unclear if it would look cool or like a big mess. Once I began to peel the paper away I had my first glimpse that it was actually pretty successful.
This has been on exhibit at Secession since the beginning of June - it seems I didn't get around to photographing it before the show went up. Heather Robinson is one of the resident artists there and I think I was channeling her when I drew in the pattern - she does cool stuff with patterns and fabrics. If Trish hadn't pointed it out, I might not have made the connection. I feel pretty lucky to be influenced by so many talented local artists, whether it's conscious or not.
